Frédéric François Chopin & Amantine Lucile Aurore Dupin (George Sand)
They put me in the closet — because they liked me "still"
Pale portrait with chords of cobalt blue
Transcription of an Optical Anomaly in the Submerged Grid
Bichrome composition with scrapings of ivory black and flesh
Study of earth pigments and synthetic ochre on a turquoise plane
Aquatic family portrait taken with a plastic camera on a rainy Tuesday
Ornamental symbiosis with subtle poison and gold lace
Tomato, virgin olive oil and olives to forget the Mediterranean once and for all
Variation on Marcella’s space in the presence of a white cat and two bottles
Silver incision on green velvet with a glint of control
Study of atmospheric subtraction and loss of contour
Emily Elizabeth Dickinson & Susan Huntington Gilbert
A word is dead when it is said (I say it just begins to live that day)
Are you — Nobody — too? (Don’t tell! they’d advertise — you know!)
Two red mouths rehearsing a wound
Magnetic pause in the VIP lounge five minutes before the toast
Last call at the transit terminal, or how to sustain a tailor’s silence at midnight
The garden of the still ones, or how to waste time in style in Malibu
The host’s silent toast from the main terrace
Late lunch overlooking the Pacific before the grand gala ball
Pop harmony for the opening of the summer season
Welcome cocktail in the tropical courtyard, or the hour of linen shirts
A mane worth three thousand euros per square metre
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Amara before a block of yellow excess and isometric footwear
Aminata confined within a regime of dry lime and binary blocks